Friday, August 20, 2010

Tuesday, January 26, 2010

First Contact

Part 1

Ceasair watched as the trapdoor opened again, and the female human came once more through the opening. She lifted up her eyes, saw him, and her eyes widened in shock.

Wordsworth saw a humanoid male...six feet six in height if he was an inch, with symmetrical features, bronze skin...bronze as in the metal bronze, not a tan...and the musculature of a weight lifter. He wore a silver space suit (all space travelers, from all worlds that had independently developed space travel, wore silver spacesuits. There was a reason for this, which Wordsworth would learn much later.)

“Asvara chuli ne!” Ceasair said to her, putting desperation into his voice.

Wordsworth could only blink at him. “What? Do you speak English?” she said, drawing out every word.

“Asvara chuli ne!” Ceasar repeated urgently. (You must help me!)

Why couldn’t he speak English, Wordsworth fretted. Didn’t he have a universal translator, or at least a Babelfish, and if not, why not?

“Asvara chuli, ne,” Ceasar repeated again.

Klaatu borada nikto?” ventured Wordsworth, without really expecting that it would do any good. And she was right. But he seemed to be asking for something, and then...he put his hands together, as if he were praying, as he repeated his strange saying. He needed her help, desperately, it seemed.

“Come down into the library,” Wordsworth said. She beckoned for him to go through the trap door, and Ceasair complied. Then, she followed him down, closing the trapdoor behind her.

Part 2

The sentient spaceship, Tanhi, perched, invisible, on the roof of the Polar Bear Library.

She (for all craft, on all worlds, are shes) ran through all of her memory banks, desperately trying to compute a way to prevent Ceasair from wreaking havoc on this world.

She could not send a distress signal to any other ships, let alone any other planets. Ceasair had sabotaged her transmission equipment.

Was it possible to depend on the law enforcement representatives of this planet? She had no choice. But how could she contact them?

If Tanhi had had a visage, she would have smiled. Of course. She sent a pulse of energy into the command console...and the cloaking device switched off. There was a shimmer, and then her sleek, needle-nosed lines appeared, pointing toward the sky.

Tanhi was now visible to anyone who had the eyes to see it. If the vehicles of the law enforcement representatives had computers...and surely they would have computers...she would be able to communicate with them, and they in turn would be able to communicate with their masters.

And Ceasair would find that edifice which he had just entered, had become his tomb.




Vocabulary
symmetrical - well-proportioned, as a body or whole; regular in form or arrangement of corresponding parts
bronze - an alloy consisting of copper and tin
alloy - a substance composed of two or more metals, or of a metal or metals with a nonmetal
fretted - to feel or express worry, annoyance, discontentdesperately - made reckless or dangerous because of despair or urgency
wreaking - to inflict or execute
havoc - great destruction or devastation
transmission - the broadcasting of electromagnetic waves from one location to another
representative - standing or acting for another or others
visage - the face, usually with reference to shape, features, expression
vehicles - a conveyance moving on wheels, runners, or tracks, such as a cart, sled, automobile, or tractor
tomb - an excavation in earth or rock for the burial of a corpse; grave


Cultural References
Klaatu borada nikto - in the movie The Day the Earth Stood Still, these are the instructions from the alien Klaatu that prevent the robot Gort from destroying the earth.
universal translator - in Star Trek, a device that translates English into alien languages, and vice versa.
Babelfish - in The Hitchhiker's Guide to the Galaxy, a fish-shaped alien that feeds on thoughtwaves, and thus translates alien languages into the language of te individual who has the Babelfish in his or her ear.

Monday, January 25, 2010

Ceasair and the Tanhi

Within the invisible spaceship, the pilot, Ceasair, took a deep breath. He had never been on Earth before, but in all the inhabited galaxies of the world, the bipedal/humanoid shape was the shape that had evolved , indeed, was the only one that could evolve...the same spores that had evolved into life on planet Earth had been the ones that brought life to the planets in other galaxies and other universes as well.

And he had watched on the viewscreen as Wordsworth had discovered his invisible spaceship, and he had recognized the expression on her face and knew exactly what she intended to do.

"You think you've trapped me in this pitiful solar system, Tanhi," Ceasair said aloud, coldly, addressing the space craft. "Well, you are wrong. You couldn't turn off your sensors, could you, and I know exactly where I am, and what's below me. This world's universe is my oyster."

The Tanhi made no response.

"Open the hatch."

The Tanhi, as a sentient space craft, was in rather the same position as the earth's robots of Isaac Asimov, who were under the dominion of the Three Laws of Robotics. Every race, when it reached the technological ability to produce sentient robots or, in the Tanhi's case, spacecraft, always built in some safegaurds. Therefore, although the Tanhi was able to prevent an unauthorized pilot from travelling across dimensions at will (a very dangerous practice for the untrained), it had to obey all the usual commands a pilot might give.

Therefore, the Tanhi opened the hatch.

Ceasair stood poised in the hatchway for a few seconds, breathing in the nitrogen-oxygne content of the air, then stepped through the hatchway, through the cloaking device (oozing through it rather like the liquid silver Terminator 2 had looked, before assuming recognizable human form) and then the Tanhi closed the hatch behind him and Ceasair, the most dangerous criminal in the history of Planet Ex, stood on the Earth.



Vocabulary

evolved - to come forth gradually into being; develop
galaxy - a large system of stars held together by mutual gravitation and isolated from similar systems by vast regions of space
universe - the totality of known or supposed objects and phenomena throughout space; the cosmos (there are many solar systems in a galaxy, and mnay galaxies in the universe.)
dominion - the power or right of governing and controlling; sovereign authority
safegaurds - something that serves as a protection or defense or that ensures safety

Cultural References

This world's universe is my oyster - "The world's your oyster" is a phrase that has been used since Shakespeare's time to mean that the world's pearls (which are found in oysters) are there for the taking of anyone who can discover them. Ceasair is paraphrasing this famous saying, for a purpose that will become clear as this blog continues.
Isaac Asimov's Three Laws of Robotics - Science fiction author Isaac Asimov formulated positronic robots in 1941, and the laws that they must follow. Other fiction writers from that date forward, when talking about robots, have usually referenced the law when pointing out that their robots either did, or did not, follow the laws.
liquid silver Terminator 2 - Terminator starred Arnold Schwarzenegger as a robot assassin, wearing the guise of a human. In Terminator 2, he has been programmed to help the fugitive John Connor and his mother, and a new Terminator, the T-1000, who is not a robot but rather is composed of "a mimetic polyalloy", a liquid metal that allows it to take the shape and appearance of anyone or anything it touches. Ceasair is not a Terminator, but when he steps through the cloaking device his body is bathed in a silver light that gives that effect.

Sunday, January 24, 2010

The Invisible Rocket Ship

Wordsworth returned the hammer to her belt, and then placed both hands in the air and pushed forward until they came into contact with the rocket ship again. She pressed as hard as she could...it was there, she could feel it, she wasn't imagining this.

Now, what was she going to do about it?

Why in the world would a rocket ship land on the top of the Polar Bear Library? Was it some kind of terrestrial craft, which had just come down accidently? Or did it actually originate from beyond the stars?

Wordsworth grinned. It would be so cool if a door in the ship would suddenly shimmer into existence, and Captain Kirk walked out to say, "Hi, we've come for your help. Know any whales?"

But that was fiction, and this was fact. Although as it happened she did know a few cetaceans, being a frequent visitor at the North Star Aquarium.

"I could also introduce you to a few pinnipeds," she said to the imaginary Kirk inside her head.

Enough of this. She was dithering. What was she going to do?

She could call someone, have them come, and by the time they came the rocket ship could have taken off again...and she'd have no proof that it had ever been here. People would doubt the veracity of her claims and she couldn't blame them.

But...what if she were to spray paint the cloaking device? If the spray paint would cling to the cloaking device...or forcefield or whatever it was...she could then take a picture of it with her cellphone and at least have some kind of evidence to show people.

Wordsworth hurried back down into the library.



Vocabulary
terrestrial - pertaining to, consisting of, or representing the earth as distinct from other planets
originate - to begin at, to start from
cetaceans - Any of various aquatic, chiefly marine mammals of the order Cetacea, including the whales, dolphins, and porpoises, characterized by a nearly hairless body, anterior limbs modified into broad flippers, vestigial posterior limbs, and a flat notched tail
pinnipeds - belonging to the Pinnipedia, a suborder of carnivores with limbs adapted to an aquatic life, including the seals and walruses
dithering - to act irresolutely; vacillate
veracity - correctness or accuracy
forcefield - region of space throughout which the force produced by an agent or several agents, such as an electric charge, is operative

Cultural References
Wordsworth grinned. It would be so cool if a door in the ship would suddenly shimmer into existence, and Captain Kirk walked out to say, "Hi, we've come for your help. Know any whales?": Star Trek IV: The Voyage Home. The Enterprise crew (albeit in a Klingon vessel) must go back in time to find a whale, to transport to the future, so that it can communicate with a whale-like species who requests for communication are destroying the Earth.

Saturday, January 23, 2010

The Space Ship on the Roof

Wordsworth opened the trap door that led onto the flat room of the Polar Bear Library, and climbed up and out onto the roof. She'd never been up there before, and for a few seconds she took some time to look around at the earth below her.

Then she looked down on the roof. It was covered in scorch marks. The roof had been painted, long ago, with a special type of paint that reflected heat upward...similar to what was used on the space shuttle. This had happened during the global warming scare when everyone was supposed to reduce their usage of fossil fuels. It had been hoped that by deflecting the heat of the sun from the library's roof, it would cost less to air-condition the interior of the library.

Wordsworth wondered, now, if that special paint had actually saved her life. Because those scorch marks were pretty severe, and if the roof had not been protected by it, perhaps it...whatever it was, Wordsworth reminded herself...might have actually burned through the roof, the ceiling, and the entire library!

Gripping the hammer firmly with one hand, and holding her other hand outstretched, Wordsworth crept toward the center of the roof.

And stopped, for her hand had indeed connected with something solid. Smooth, sleek, solid...and invisible. A space ship!



Vocabulary
scorch - to parch or shrivel with heat
reflecting - to cast back (light, heat, sound) from a surface
deflecting - To turn aside or cause to turn aside
severe - harsh; unnecessarily extreme, grave; critical
sleek - trim and graceful; finely contoured; streamlined

Friday, January 22, 2010

The Space Ship

Wordsworth looked up at the roof of the library in disbelief. She had seen a space ship...she knew she had. It had shimmered and disappeared in the space of a few seconds, but she had seen it.

She didn't wear glasses, so she couldn't go through the cliched routine of taking them off, cleaning them, and then putting them back on to see if the spaceship was still invisible.

Invisible, she thought. It must have a Cloaking Device, like in Star Trek.

Wordsworth was a devoted fan of Star Trek: The Original Series, and not so much so of The Next Generation or Voyager, and definitely not a fan of Deep Space Nine or Enterprise.

"The original Star Trek had such.... joie de vivre, she'd say. Mankind on Earth had conquered all its problems and brought peace to the strs. But the subsequent series were so...depressing...with the stars full of wars between alien species, death and destruction, suffering and dying..she much preferred the optimistic view of the first series. And the fact that every episode of Star Trek: TOS ended with a fight between Kirk and the villain was merely an added bonus.

Wordsworth had left her purse in the library...and in her purse was her cellphone. She didn't want to waste time going in to get it and making a phone call, but she had to. She'd seen way too many TV shows where some silly woman -- and less often, some silly guy -- had gone to investigate a strange occurrence all by herself, without telling anyone else where she was going or when she'd be back, only to disappear and be found dead months later, or, in TV shows of a less grim nature, tied up in some back room, ready to be rescued by the handsome hero of the show.

But who could she call?

Wordsworth returned to the library, and quickly recountedwhat had happened, writing quickly on a sheet of paper: "I've seen a rocketship land on the roof of the library, and I am going up to investigate."

She placed the sheet in a prominent position on her desk, easily seen. Then, she dug her cellphone out of her purse and transferred it to her pocket. She would not call anyone, yet, but if something strange happened on the roof...if, for example, an energy beam of some kind knocked her off the roof, or simply repelled her, she would then call someone.

Should she bring a weapon?

Wordsworth looked around the library. The common trope (a common theme used in storytelling) used in science fiction stories, at least throughout the 1950s, was that the aliens always came in peace. But from the 1980s onward, they more likely came to eat or enslave. She would take no chances. But there were no useful weapons in a library....well, perhaps a screwdriver from the toolkit kept in the alcove that had the ladder that led up to the roof.

Wordsworth vacillated between a hammer and a screwdriver, and finally selected the hammer. She pushed this through one of her beltloops so that it hung securely, then, taking a deep breath, she climbed up the ladder and pushed open the trap door that led to the flat ceiling of the library.



Vocabulary
cliched - A trite or overused expression or idea
Cloaking - Something that covers or conceals (not to be confused with a cloak, a garment that is worn)
joie de vivre - a French phrase, "joy of life"
subsequent - following in time, order, or space
species - A kind, variety, or type (of animals, of businesses, of professions)
optimistic - expecting a favorable outcome
investigate - to examine systematically
recounted - To narrate the facts or particulars of (not to be confused with "a recount" - to re-count numbers or votes.
trope - a common theme used in storytelling
vacillated - to go indecisively from one course of action or opinion to another

Thursday, January 21, 2010

The Crash

The space ship was a sentient one, which means that it was, in a way, alive. It could see through its sensors and process what it saw. It could also sense that its dimensional engines were no longer working. It realized that if it crashed into something, it could be destroyed. And it knew that if it was destroyed, its sentience would end.

Therefore, the ship, which was called Tanhi, immediately cut out its power engines, as well, and "hit the brakes."

The trajectory of the ship continued to bring it right toward the Polar Bear Library, but now it was slowing down precipitously. It also flashed, very briefly, on the Distant Early Warning (DEW) sensors, but too quickly for anyone to see it.

Tanhi fired its retro rockets, and landed...very gently...on the roof of the Polar Bear Library.

Inside the building, Wordsworth was alone. The rest of the complement of her fellow librarians had left just minutes ago. But she had wanted to do some research with one of the books in the reference section, and those books were not allowed out of the library...even if one was a librarian!

Wordsworth heard a tremendous crash on the roof above her, and the very building itself seemed to shake. [The concept of "very gently," when talking about a rocket ship, is a relative one.]

"What the..." said Wordsworth.

She ran out of the building, turned to look up, and saw the sleek lines of a rocket ship, its nose pointed toward the sky.

As she looked at it...it shimmered and disappeared.




Vocabulary
sentient - having the power of perception by the senses; conscious
sentience - capacity for sensation or feeling
"hit the brakes" - When a phrase is surrounded by quotation marks, that is alerting the reader that the phrase is being used to convey a certain meaning. For example, the driver of a car "hits the brakes" with his foot. A rocket has an entirely different braking system! But using that phrase conveys the same meaning.
precipitously - to bring about suddenly
retro rockets - a small, auxiliary rocket engine, part of a larger rocket vehicle, with its exhaust nozzle pointed toward the direction of flight, for decelerating the larger rocket or separating one stage from another
complement - the full number of officers and crew required on a ship, not to be confused with a compliment: an expression of praise, commendation, or admiration
very building itself seemed to shake - a poetic way of emphasizing the subject of the sentence. "Very" in this context means "being such in the true or fullest sense of the term"
relative - something having, or standing in, some relation to something else, not to be confused with a family relative, such as parents, aunts, etc.
shimmered - to appear to quiver or vibrate